Udlændinge- og Integrationsudvalget 2016-17
UUI Alm.del Bilag 7
Offentligt
NEW TURKISH FILM
WOMEN WITHOUT FEAR
”In Istanbul there is a youth that is more modern and open than in Western Europe, but also
dark men that may take us back many years.” Says Deniz Gamze Ergüven whose debut film
”Mustang” (2015) was a big success with critics and audiences. The tone in current Turkish
film is to a large degree set by female directors, whom are fearless in the choice of subject and
dare to confront taboos. This applies to Pelin Esmer’s film “Watchtower” among other about
incestuous abuse and Cigdem Sezgin’s “The Wedding Dance” about arranged marriages.
However, the female directors also carry on proud traditions in Turkish film, among other
through their use of nature symbolism. Several of the new films are aesthetically breath-taking
and clearly inspired by Nuri Bilge Ceylan’s long settings, minimal movements with the picture
frame and dwellings on the main characters’ faces.
The main characters in the seven films, which we present, are almost all divided between
tradition and modernity and they are generally not portrayed in a very positive light – perhaps
to avoid that they are only discussed from a feminist agenda. The film “Zefir” has also been
criticised by female Turkish film critics for the unlikeable portrait of a female main characters
whom leaves her daughter in order to pursue her own film career. To this, the film’s director,
Belma Bas, says: “I long for the day where one will not talk of male and female directors.
The film series will open on Saturday 15 October with the beautiful love drama “Across the
Sea” and a reception in Asta Bar with the participation of the directors Esra Saydam and Nisan
Dağ. On 26 October, we will screen “Zefir” with a visit by the director Belma Baş. The series
has been arranged in collaboration with The Turkish Embassy.
Across the Sea
Pregnant Damla returns to her childhood town with her American husband Kevin after many
years of studies in New York. Everything seems delightful until Damla’s ex-boyfriend, the
bachelor Burak, enters the scene. It quickly turns out that Damla has not been telling the truth
about her pregnancy. An emotional and beautiful film, which portraits the warmth of the
Mediterranean crystal clear.
Zefir
The strong-willed girl Zephyr spends the summer holiday with her grandparents in a
mountainous region in northern Turkey and longingly awaits her mother to come and collect
her. When the mother finally arrives, it is only to say goodbye. The perfectly composed images
of the fogy, ominous landscape creates a rich atmosphere around the minimalistic plotline –
which offers a surprising ending.
Watchtower
A beautiful neo-western from Turkey’s dark forests. The young woman Seher is on the run
from a conservative home, and the man Nihat mends his personal wounds in a watchtower far
removed from civilisation. On a fateful and highly dramatic morning, their roads will cross.
The film examines the breakdown of the family institution, but also its possible resurrection.
The Bad Cat
Meet the alcoholised, extremely violent and 100 per cent repugnant cat Shero, who during 80
crisp minutes manages to commit premeditated murder, be evicted, discover that he has a son,
be chased by a psychopath and rob a bank. Yes, it sounds insane – and it probably is. The brand
UUI, Alm.del - 2016-17 - Bilag 7: Invitation til Turkish Film Festival 2016 med temaet "Female Directors", d. 15/10-16 i Cinemateket
new adult animation film “The Bad Cat” is a funny and politically incorrectly ultraviolent –
with the heart in the right place.
Present Tense
Mina is unemployed and dreams of immigrating to the USA in order to start over again. In her
search for work, she ends up as a fortune-teller in a café in Istanbul. She finds success with
reading coffee grounds, even though her own predictions are based on memories from her own
life. “Present Tense” is a darkly humorous portrait of a young woman whom helps other women
towards self-realisation but is incapable of taking responsibility for her own life.
Nobody’s Home
The alienation is dense in Deniz
Akçay’s excellent directorial debut, where the petty criminal
teenager Ilker runs away from a divided home, which the depression stricken mother in the
father’s absence cannot keep united, and begins a Ms. Robinson relationship with his best
friend’s mother. With its crushing end, the film does not leave the body right away.
The Wedding Dance
The taxi driver Ahmet is going to get engaged with a young woman whom his mother has
picked out, but he initiates an affair with the tailor Leyla who is older than he is. One day,
Leyla’s old love Semih returns to Istanbul from Germany after being away for 18 years. “The
Wedding Dance” is an intense, excellently acted drama about women (and men) that are caught
between traditional norms, double standards and a modern Western lifestyle.