KUU, Alm.del - 2016-17 - Bilag 194: STATENS KUNSTFOND: Rapport om regional udvikling, Danmark & Japan 2017

Kulturudvalget 2016-17
KUU Alm.del Bilag 194
Offentligt

Copenhagen and Aarhus

6 – 7 June 2017

REGIONAL DEVELOPMENT

THROUGH ARCHITECTURE,

NATURE AND ART

Regional development through architecture, nature and art

KUU, Alm.del - 2016-17 - Bilag 194: STATENS KUNSTFOND: Rapport om regional udvikling, Danmark & Japan 2017

Preface

This year, we celebrate the 150th anniversary

of diplomatic relations between Denmark and

Japan. The Danish Arts Foundation marks this

anniversary by highlighting one of the key chal-

lenges faced by both Denmark and Japan: the

growing differences between cities and rural

districts as a result of globalization and urban-

ization. There is an urgent need for innovation

and for pursuing a balanced development,

where rural and urban districts contribute with

their respective energies and qualities.

Art and architecture can help create new ex-

periences and build networks that strengthen

local communities and generate growth out-

side the big cities. In both Denmark and Japan,

many artists and architects work in close

concert with individual citizens, associations,

companies and municipalities to effect positive

change in rural, marginalized areas. That is an

effort that the Danish Arts Foundation wants

to promote. Therefore, we mark the 150th an-

niversary of diplomatic ties between Denmark

and Japan by initiating a new dialogue between

our two countries about how art and architec-

ture can help turn the tide in regions suffering

under depopulation and the loss of industry

and jobs.

The present report covers two symposiums

held, respectively, in Copenhagen and Aarhus

on 6 and 7 June 2017 under the heading

‘Regional development through architecture,

nature and art’. The events featured outstand-

ing Japanese and Danish examples of artists

and architects working closely with local actors

and generating new dynamics, growth and

communities. The specific cases served as a

basis for round-table talks and a panel debate

on the topic of future priorities and efforts

aimed at strengthening regional development

in Denmark. With this report, which is published

in Danish, English and Japanese editions, we

share the many good examples and ideas from

the symposiums. We hope that this will inspire

new ways of bringing architecture and the arts

into play in the effort to promote quality of

life, strong communities, growth and develop-

ment in rural areas. We also hope that the two

symposiums have helped lay the foundation

for more and broader collaborations involving

artists, architects, private citizens, companies,

associations and municipalities working

together to make a difference.

Our sincere thanks to the Japanese and

Danish contributors and to everyone who par-

ticipated in the two symposiums for investing

your time in this crucial social debate.

Kim Herforth Nielsen

Chairman, Danish Arts Foundation’s Committee

for Architecture Grants and Project Funding

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KUU, Alm.del - 2016-17 - Bilag 194: STATENS KUNSTFOND: Rapport om regional udvikling, Danmark & Japan 2017

Programme

COPENHAGEN

KADK, 6 June 2017

Welcome Address

Lene Dammand Lund, rector of KADK

AARHUS

School of Architecture, 7 June 2017

Welcome Address

Torben Nielsen, rector of Aarhus School of Architecture

Welcome Address, Danish Arts Foundation

Kim Herforth Nielsen, chairman of the Danish Arts Foundation’s Committee for

Architecture Grants and Project Funding

Benesse Art Site Naoshima, Regional Revitalization through Contemporary Art

Soichiro Fukutake, president, Benesse Art Site Naoshima

Islands and Works: Thoughts on 25 years of Creating Works on the Islands of the Seto Inland Sea

Shinro Ohtake, artist

The Naoshima Plan

Hiroshi Sambuichi, architect, honorary professor at KADK

Architecture and Environment

Kazuyo Sejima, architect and co-founder of SANAA

A Deliberate Strategy? From Arbitrary to Coherent

Christen Obel, chairman of The Obel Family Foundation

The Value of Architcture

Bjarke Ingels, architect and founder of BIG,

honorary professor at KADK

How Architecture, Art and Nature Can Contribute

to Regional Development

Olafur Eliasson, artist

Specific Potentials, Architecture and Landscapes

– How Philanthropy Can Drive Improvements

Jesper Nygård, CEO, Realdania

Round-Table Talks

Concluding Conversation

Danish Minister of Culture Mette Bock and symposium

moderator Kent Martinussen, CEO of Danish

Architecture Centre

Destination Development

Poul Høilund, architect and co-founder of NORRØN

Developing the National Capital

– a Helping Hand From the Provinces

Søren Taaning, artist and chairman of the Danish Arts

Foundation’s Committee for Visual Arts Grants

Site Matters

Anne Skovbro, Executive Director, CPO of Realdania

From Archaeology to Architecture

– the Jelling Monument Site

Kristine Jensen, MAA, MDL, owner, Arkitekt Kristine

Jensens tegnestue, honorary professor at KADK

Panel Debate

Kristine Jensen, Poul Høilund, Søren Taaning, Anne

Skovbro. Moderator Kent Martinussen, CEO of the

Danish Architecture Centre

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KUU, Alm.del - 2016-17 - Bilag 194: STATENS KUNSTFOND: Rapport om regional udvikling, Danmark & Japan 2017

Regional development through architecture, nature and art

KUU, Alm.del - 2016-17 - Bilag 194: STATENS KUNSTFOND: Rapport om regional udvikling, Danmark & Japan 2017

Contemporary Art and

Regional Revitalization

Experiences from

Benesse Art Site Naoshima

Benesse Art Site Naoshima is a unique example of the capacity

of art and architecture to drive development in a region located

very far away from the growth and dynamics of big cities.

For just over 30 years, the Japanese businessman Soichiro

Fukutake has invested in promoting growth and development

on the small Japanese island of Naoshima and the neighbouring

islands of Inujima and Teshima, which have suffered under

industrial closures and abandoned facilities and massive

depopulation.

Hiroshi Sambuichi, Kazuyo Sejima and Shinro Ohtake are

among the leading architects and artists who have created

unique settings for experiencing art in nature, closely interwoven

with the local island communities. Although the islands are far

away from the major metropolitan areas and growth in Japan,

they have become international attractions for art and archi-

tecture enthusiasts from all over the world. At the symposiums

in Copenhagen and Aarhus, Soichiro Fukutake offered insights

into the philosophy behind the work of the past 30 years, while

Hiroshi Sambuichi, Kazuyo Sejima and Shinro Ohtake gave

an introduction to their works of art and architecture on the

islands and their collaboration with the local community.

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KUU, Alm.del - 2016-17 - Bilag 194: STATENS KUNSTFOND: Rapport om regional udvikling, Danmark & Japan 2017

Soichiro Fukutake

President, Benesse Art Site Naoshima

‘In order to be happy, we have to live in a happy

society. No society can be happy without smiles.

Art can make us smile.’

Soichiro Fukutake presented three guiding principles for

the development of Benesse Art Site Naoshima and the

overall investment in developing the local communities on

the small Japanese islands in the Seto archipelago:

– ‘Use what exists to create what is to be.’

– ‘Nature is man’s best teacher.’

– ‘Economy is a servant to culture.’

The overarching idea that Soichiro Fukutake presented at

the symposiums is that art and architecture can bridge

the gap between cities and rural districts, between past

and present and between capital and culture.

Fukutake presented the approach behind the invest-

ments in Naoshima as ‘Public Interest Capitalism’, where,

as a business leader, he invests the earnings from his

business ventures in initiatives to promote long-term

positive development in Japanese society. The economy

needs a larger context and goal, argued Fukutake, who

explained how the investments in Naoshima began as an

effort to counter the negative consequences of urbaniza-

tion and globalization, which increasingly depletes rural

districts of people and dynamics.

By investing in art museums on the islands but also in art

projects taking over abandoned buildings in villages and

public buildings in the cities, Fukutake aims to create a

new platform for dialogue between an ageing local popu-

lation and younger people from the big cities. Fukutake

described how the local population lives with art and pres-

ents it to visitors. The locals have become art experts who

proudly present something unique. Visitors get both an

impression of Japanese and international contemporary

art and an understanding of the people and values that

exist in this particular place in the Japanese countryside.

The art and architecture projects on the Japanese islands

all address site-specific qualities in the landscapes and

cities, and even the plants from the derelict copper indus-

try are highlighted and presented in new ways. Art and

architecture bridge the gap between history, the present

day and the ideas about the future that art can evoke.

With his investments in the islands, Fukutake seeks to

make all these qualities resources for development, going

forward. The overall goal is to create a happy society.

As Fukutake put it, ‘smiling seniors’ are a sure sign of a

good and happy society that is shaping its future with

respect for the values handed down from the past.

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Shinro Ohtake

Artist

‘I always find it difficult to make models

of my work beforehand. I talk to people,

I discover things on-site, people bring me

things they would like to have included.’

The Japanese artist Shinro Ohtake presented some of

the works of art he has created on the islands over the

past 25 years, including the so-called Art House Projects,

where artists and architects are invited to transform

existing village houses to works of art or galleries.

Among other projects, Ohtake created a bath house on

Naoshima that is a continuation of the Japanese tradi-

tion for local bath houses as well as a total work of art.

Like Ohtake’s other Art Houses, the bath house is made

largely of materials and objects found locally: waste or

remnants from the industry, culture and architecture of

earlier times. Ohtake described how the local population

both co-created the works and subsequently embraced

them as an expression of their shared history and present.

As such, Ohtake’s works are living examples of the

philosophy of working with site-specific qualities and

creating links between unique local features, the local

population and visitors from the city.

Hiroshi Sambuichi

Architect, honorary professor at KADK

‘I receive messages that are four-

hundred years old and pass them on to

future generations.’

Hiroshi Sambuichi presented his art museum on the

island of Inujima and Naoshima Hall, which is a form

of multi-purpose assembly hall, where people can get

together for anything from badminton to theatre.

A common quality in both structures is a careful effort

to incorporate what Sambuichi calls ‘the moving mate-

rials’ – wind, sun, water. Sambuichi carefully examines

the local weather conditions, geography and climate and

how traditional building customs have produced houses

and, indeed, entire cities that are optimized to function

in the local climate. These studies and experiences serve

as the basis of a modern architecture where cooling,

lighting and heating require a minimal use of technology.

Sambuichi’s architecture demonstrates how it is possible

to create a modern sustainable architecture by learning

from nature and passing on the experiences that have

been incorporated into local architectural traditions.

Regional development through architecture, nature and art

KUU, Alm.del - 2016-17 - Bilag 194: STATENS KUNSTFOND: Rapport om regional udvikling, Danmark & Japan 2017

Kazuyo Sejima

Architect and co-founder of SANAA

‘I used to think that straight lines are

the norm in a building. Perhaps that is

not the case.’

Kazuyo Sejima, partner and co-founder of the architec-

ture firm SANAA together with Ryue Nishizawa, pre-

sented the ferry terminal on Naoshima, an art museum

on Teshima and several Art House Projects on Inujima.

Sejima described how the architecture was developed

with an understanding of the landscape and the local

community. The main feature of the ferry terminal is

an expansive, low roof that shelters the waiting cars

without blocking the view of the landscape behind the

terminal. Nishizawa’s art museum on Inujima resembles

a drop of water nestling in the landscape. In a series of

Art House Projects, Sejima demonstrated how architects

have worked with inspiration from local architecture,

using local materials and, increasingly, sought to create

new settings for local communities.

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KUU, Alm.del - 2016-17 - Bilag 194: STATENS KUNSTFOND: Rapport om regional udvikling, Danmark & Japan 2017

Copenhagen

Royal Danish Academy of Fine Arts

Schools of Architecture, Design and

Conservation (KADK)

6 June 2017

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KUU, Alm.del - 2016-17 - Bilag 194: STATENS KUNSTFOND: Rapport om regional udvikling, Danmark & Japan 2017

Regional development through architecture, nature and art

KUU, Alm.del - 2016-17 - Bilag 194: STATENS KUNSTFOND: Rapport om regional udvikling, Danmark & Japan 2017

Christen Obel

Chairman of The Obel Family Foundation

‘Sizeable grants, such as building projects,

require a different degree of involvement,

and we almost always engage in a close

dialogue while making sure to maintain an

arm’s length distance.’

Christen Obel presented The Obel Family Foundation

and its contributions, which are driven by the vision of

‘a qualified, whole-hearted effort for the future’. The

foundation mainly supports projects in Northern Jutland

and also owns the property company C. W. Obel Ejen-

domme, whose portfolio includes a number of centrally

located properties in the city of Aalborg. Christen Obel’s

presentation focused on the foundation’s shift from

classic philanthropy, that is, providing grants with limited

involvement in project development, to a more involved

and dialogue-oriented role, especially in connection with

larger building projects. The presentation addressed the

following projects: Utzon Center, Kunsten, Vestre Fjord-

park, Musikkens hus, Spritten, Can Lis and the exchange

programme MADE for young architecture and engineering

students in Denmark and Australia.

Bjarke Ingels

Architect and founder of BIG, honorary professor at KADK

‘Life is always slightly ahead

of architecture.’

Bjarke Ingels presented several examples from his own

practice, demonstrating how architects can create a

sense of identity drawing on existing ways of life and

physical environments. For example, the urban space

Superkilen in Copenhagen includes urban furnishing

such as benches, playgrounds and bus stops from all

the nations represented among the local population.

Bjarke Ingels also highlighted the special role of architec-

ture in shaping new aspects of social life that have yet to

find a permanent form. Architecture can evoke a sense

of identity. The presentation touched on the following

projects: Superkilen, the National Gallery of Greenland,

La Maison de Fondateurs, Kistefos Museum, Vancouver

House and the Maritime Museum of Denmark.

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KUU, Alm.del - 2016-17 - Bilag 194: STATENS KUNSTFOND: Rapport om regional udvikling, Danmark & Japan 2017

Olafur Eliasson

Artist

‘How can we bring our humanist

tradition into play?’

Olafur Eliasson spoke of the importance of taking a

humanist approach and about the ability of art to

engage people, inviting them to become part of a

community. In extension of Bjarke Ingels’ reflections on

design and form, Eliasson addressed the importance of

creating spaces where people feel that they are seen and

acknowledged, because the designer has understood

their needs, even if these needs may not have been

verbalized or consciously recognized. Eliasson under-

scored that this humanist insight and approach to

architecture and art are important to convey to new

generations of students. Olafur Eliasson also addressed

the topic of flexible and relational spatial perception,

which inspires and is open to multiple interpretations.

The presentation touched on the following projects:

Beauty (1993), Your rainbow panorama (2006–2011),

Map for unthought thoughts (2014), Riverbed (2014)

and Self-loop (Inujima, 2016).

Jesper Nygård

CEO, Realdania

‘Our work is driven by site-specific

qualities and partnerships that strengthen

local ownership and capacities.’

Jesper Nygård presented some of the challenges that

Denmark and Japan have in common, among them

urbanization, which is leading to an ageing population in

many areas as the young generation increasingly moves

to the cities. Realdania views cities and rural districts as

interdependent – not as opposites. Hence, Realdania’s

focus is on improving quality of life in the built environ-

ment, both in and outside the big cities. The presenta-

tion addressed the following projects, which have either

received funding from Realdania or where Realdania has

also contributed as a change agent: Vendsyssel Teater,

Ribe, Camønoen.

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Regional development through architecture, nature and art

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Round-table talks

The 13 round-table talks that concluded the Copenhagen event

aimed to define the particular potentials of art, architecture

and nature to drive regional development in Denmark and

debated how to promote a broad involvement of politicians,

private citizens, associations, companies and others. Some of

the recurring conclusions across the groups were:

1. Enhance site-specific qualities

Art, architecture and nature can enhance the unique

qualities of a site while also making room for new com-

munities and a new understanding of local or regional

identity. The artist or architect works by facilitating

processes together with the local population and by

creating solutions anchored in the local environment.

Development processes provide opportunities for

promoting a local sense of pride.

2. Make room for experiments

Development should be an open-ended process with

room for a variety of ways of meeting society’s wishes

and needs. Individuals with passion and initiative are

strong drivers of development and able to think outside

the box. We should therefore target grants more directly

to support these enthusiasts and experimental initiatives

with an interdisciplinary and cross-sectorial make-up

that secure broad ownership across organizational

boundaries.

3. Focus on multiple perspectives at the same time

Opening development processes up to a wider range of

actors generates greater engagement, not only among

private citizens but also among competing architects

and artists. This achieves a situation where the conver-

sation embraces multiple perspectives and has room

for multiple professional profiles and thus solutions that

serve multiple purposes and functions. An open approach

also helps make projects meaningful both to locals and

outside visitors.

4. Think architect before building, and artist

before work of art

Far too many architectural solutions and artistic produc-

tions lack distinction, which may be due to a premature

determination of the intended outcome of the process.

Architects and artists should be invited into the dialogue

before the initiators have settled on an idea or a pro-

gramme. The conversation should take its point of depar-

ture in the value of architecture, art or nature to the local

community. This will leads to new projects that engage

and activate more people.

5. Create meaningful circuits

By connecting multiple elements, we can work together

to develop meaningful solutions to complex challenges.

Reusing local resources promotes local ownership. The

link between city and countryside or between new and

old can help lead to sustainable living spaces. If, in addi-

tion, we cultivate slow-paced processes and allow things

to mature slowly, we can enable new possibilities for the

creation of local wonders with a strong narrative.

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KUU, Alm.del - 2016-17 - Bilag 194: STATENS KUNSTFOND: Rapport om regional udvikling, Danmark & Japan 2017

6. Create suitable settings

Art, architecture and nature can help create settings for

meetings between people that spark a collective curiosity

and a sense of taking part in meaningful communities.

This also creates a suitable setting for a development

dialogue about future challenges, including the more

difficult ones, which we need to find common solutions to.

7. Rethink planning

Regional development should incorporate a stronger

cultural element. Municipalities can and should assume

a greater responsibility for this development by including

architecture, art and nature in local planning efforts.

Going for visionary and truly distinctive projects makes it

possible to launch initiatives with an impact that spreads

like rings in the water, with a local, national and interna-

tional reach.

8. Share knowledge and inspiration

Far too much energy is wasted on unproductive competi-

tion between neighbouring municipalities or among cities

within the same region. Instead, the focus should be on

sharing knowledge and on mutual inspiration. The same

applies to relations among private citizens, companies

and the municipality. Instead of focusing on differences

of interest, the focus should be on overlapping interests

in order to achieve citizen engagement rather than

merely citizen involvement.

9. Communicate when and where development occurs

Change can happen from the top down or from the

bottom up. It can come from without or from within.

As human beings we always appreciate being close to

the developments or decisions that influence our lives.

The social media are efficient communication platforms

in connection with local developments, because they

are close to people and offer a good way of getting the

word out when changes occur. The social media are thus

appropriate for cultivating close relations and for demon-

strating how short the distance can be from words to

action, even for someone living in a region where the

geographic distances may seem considerable.

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Concluding conversation

Danish Minister of Culture, Mette Bock with symposium moderator Kent Martinussen

‘We need people who master

several languages.’

The minister of culture argued that even if the premises

of the Benesse initiative differ from Danish development

practices, it offers a rich source of inspiration when it

comes to turning former industrial sites into attractive

destinations by working with architecture, art and nature.

The minister also emphasized how important it is for

architects, artists and scholars to master several

‘languages’ to be able to grasp everyone’s needs and

wishes, as a broad conversation promotes the cohesion

of Danish society. The ambition, according to the minister,

is to improve conditions for more people in Denmark

by drawing on existing cultural, social and economic

resources – and by having professionals bringing their

knowledge and competencies into play.

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Regional development through architecture, nature and art

KUU, Alm.del - 2016-17 - Bilag 194: STATENS KUNSTFOND: Rapport om regional udvikling, Danmark & Japan 2017

Aarhus

School of Architecture

7 June 2017

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KUU, Alm.del - 2016-17 - Bilag 194: STATENS KUNSTFOND: Rapport om regional udvikling, Danmark & Japan 2017

Regional development through architecture, nature and art

KUU, Alm.del - 2016-17 - Bilag 194: STATENS KUNSTFOND: Rapport om regional udvikling, Danmark & Japan 2017

Poul Høilund

Architect and co-founder of NORRØN

‘We spend a long time developing an

understanding of the landscape, the

culture and the stories, and then we develop

a poetic narrative that guides the way

we develop the site.’

Poul Høilund presented Norrøn’s approach to regional

development, which is the key focus of this young archi-

tecture firm. Høilund explained how Norrøn develops

destinations by analysing potentials in landscapes,

nature and our cultural heritage and then creating new

narratives that bring these potentials into play in new

ways. This approach is exemplified by ‘De hvide dron-

ninger’ (The white queens) by Fakse Ladeplads, which

combines coast protection with the beach environment

and new facilities for bathers. The project relates to

two local stories. One is the story of how lime was once

shipped from the harbour, the other is the story of a

local shipyard that built ships named after queens.

The two stories come together in the project and acquire

a new life in terms of materials and design expression.

Søren Taaning

Artist and chairman of the Danish Arts Foundation’s Visual Arts Grant Committee

‘How can we transfer the creative energy

from the city to the countryside?’

Søren Taaning presented the collaborative art project

Skovsnogen, which is a cross between a work of art and

a venue for outdoor activities in a wood near Sønder

Omme in Jutland. Fusing art with facilities for play,

physical activities and nature experiences, Skovsnogen

has become a popular site for both art lovers and out-

door activities. The presentation of Skovsnogen led to a

general discussion about turning the countryside into a

new workspace for artists and a place for experimental

collaborations between artists and the local population.

Søren Taaning pointed out that while it is increasingly

difficult for artists to find a creative breathing space in

the cities, the countryside offers a wide range of options

for working in a freer and more experimental manner.

Hence, Søren Taaning suggested that a new focus of

regional development could be to encourage artists to

come to the countryside to live and work, for shorter or

longer periods, and that artists similarly should be more

aware of the potentials of the countryside as a place

to work.

Regional development through architecture, nature and art

KUU, Alm.del - 2016-17 - Bilag 194: STATENS KUNSTFOND: Rapport om regional udvikling, Danmark & Japan 2017

Anne Skovbro

Executive Director, CPO, Realdania

‘Site matters. Base your work on

the unique potentials!’

Anne Skovbro spoke about Realdania’s strategic focus

with regard to promoting regional development. Anne

Skovbro pointed out that agricultural production has

changed and now employs far fewer people than before,

which inevitably influences how many people live in the

rural districts. In light of this change, Anne Skovbro

emphasized the need for a realistic and forward-looking

approach aimed at strengthening local qualities and net-

works and placing quality over quantity. ‘Site matters’ is

the headline for Realdania’s philanthropic effort to

promote regional development. Among the specific

examples mentioned by Anne Skovbro is an effort to revi-

talize some of Denmark’s old seaside towns. This includes

the somewhat run-down seaside town of Marienlyst,

where Realdania helped fund a new urban space that

improves the quality of the city centre and highlights the

town’s connection to the sea. The revitalization effort

is carried out in close cooperation with local businesses

and private citizens, who follow up with improvements

to the built environment overall. As such, the project is an

example of local engagement and ownership, which Anne

Skovbro highlighted as a crucial factor.

Kristine Jensen

Owner, Arkitekt Kristine Jensens tegnestue, honorary professor at KADK

‘We have created a place that is not only

about history but which the citizens of

Jelling can actually identify with.’

Kristine Jensen spoke about the new landscape and land

art project around the Jelling Stone, which is one of Den-

mark’s most important cultural heritage monuments.

Kristine Jensen shared the considerations behind the

distinctive design, which draws out an ancient palisade,

a stone ship and a number of Viking-age houses as land-

scape elements. With a deliberately modern approach

featuring light concrete as a key component, the proj-

ect brings out the different layers of history and gives

modern-day visitors an understanding of the scope and

beauty of the ancient monument.

Kristine Jensen explained how the project helped alter

the local population’s experience of living near one of

Denmark’s most important cultural heritage monuments.

Previously, a certain fatigue with the number of tourists

was widespread locally, but now, the locals embrace the

monument with pride. According to Kristine Jensen, this

change has come about because the project not only

focused on the historical layers but also enhanced the

connections between the monument and the surrounding

city, the new design considering the concerns of everyday

life in the area.

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Panel debate

Anne Skovbro, Søren Taaning, Kristine Jensen, Poul Høilund

The panel debate that rounded off the event addressed some

key issues in relation to regional development, going forward.

The audience contributed with many questions and comments.

Some of the key topics were:

The political debate

We need a broad and well-informed political debate

that takes a realistic view of the possibilities of creating

balanced development in Denmark and which is not stuck

in notions of growth and development shaped by

obsolete assumptions.

Urban-rural synergy

We need to stop viewing city and countryside as polar

opposites or competitors with regard to development

and instead focus on synergies and interplay.

A new urban life in the countryside

We need to utilize the fact that Denmark is a small coun-

try, where the geographic distances between city and

countryside are short. One way of doing this might be to

develop new flexible approaches to life and work, where

city life is combined country life.

A realistic approach

We need a realistic approach that acknowledges and

addresses the fact that some villages will die out, and

some towns will inevitably shrink.

Quality over quantity

We need to focus on quality when developing rural

tourism. The focus should not necessarily be on attracting

more tourists but on creating better, higher-value tourism.

Broad partnerships

We need to combine local engagement and ownership

with outside perspectives and assessments of local

potentials.

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Regional development through architecture, nature and art

KUU, Alm.del - 2016-17 - Bilag 194: STATENS KUNSTFOND: Rapport om regional udvikling, Danmark & Japan 2017

The symposiums were organized by the Danish Arts

Foundation’s Committee for Architecture Grants and

Project Funding, rep. by Kim Herforth Nielsen, Mette

Ramsgaard Thomsen, Signe Kongebro, Søren Leth and

Torben Schønherr. In cooperation with the Danish Archi-

tecture Centre, rep. by Kent Martinussen. Aarhus School

of Architecture, rep. by Mogens Morgen. The Royal Danish

Academy of Fine Arts Schools of Architecture, Design and

Conservation, rep. by Arne Høi. Agency for Culture and

Palaces, rep. by Bo Kolbye, Lone Ravn, Signe Marie Ebbe

Jacobsen, Michael Lauenborg, Francine Andersen and Ida

Høybye Davidsen.

Text and layout:

Andel, rep. by Mike Ameko Lippert, Rasmus Rune Nielsen

and Britt Engelhardt Gundersen

Photos:

Oscar Haumann, Zevegraf

Translation:

Dorte Herholdt Silver

Regional development through architecture, nature and art

KUU, Alm.del - 2016-17 - Bilag 194: STATENS KUNSTFOND: Rapport om regional udvikling, Danmark & Japan 2017